Small Steps Create Big Shifts

I began this piece with this inspirational painting “Springtime” that represent colors that I love at this time of the year. It came together in a flurry of play activity and was done within an hour. However, it has some compositional issues that I corrected by pushing on to its conclusion in “Giant Steps”.

It has what I refer to as the ‘four rooms problem’, meaning that if you divide it into quarters each resulting composition could stand on its own, stronger than when presented as a whole. The piece needed something to bring it together and the “messy middle’ kept throwing more issues my way to solve. Finally, the solution was to use a page out of my journal that I had been working on and an acrylic skin to mask what had become a potato shape in the left corner. Sadly “Springtime only exists in this photo, but I will be using this color scheme again in future paintings, possibly in my next series.

“Springtime” 2026 NFS

This where “Giant Steps” started and the story of how it progressed.

Brian Dunning

Brian is an established artist who works with encaustic, acrylic painting and mixed media collage. His work has been published in several books on collage; Creative Collage by Nita Leland, Collage Techniques by Brommer, and Artists' Artsembles by Color Q. In 2018 he was awarded an NGAE Fellowship in which he studied Encaustic monotypes with Paula Roland in Sante Fe, NM. Brian teaches Encaustic Workshops at John C. Campbell Folk School in NC, where students explore painting with wax. He has taught in Higher Education for 30 years in the Graphic Arts.

https://bdunningarts@gmail.com
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